How the sheets drive the film
The sheets are references, not starting frames. The prompt tells Seedance 2.5 that @Image1 to @Image3 are one ordered 36-shot storyboard read left to right, then top to bottom; that @Image4 is the identity plate every shot must match; and that @Image5 is the logo for the end card. Seedance reads each cell as a composition, camera move and medium to shoot, so nothing on screen looks like a grid and no shot number or caption leaks into the picture.
Dialogue is timed in the prompt. Every spoken line carries a start and end timecode and a delivery note, and every transition after 00:07 is asked to land on a beat of a 120 bpm track. Seedance 2.5 generates the voice, the sound effects and the music together with the picture, so the “Psych.” vinyl stop and the beat drop arrive where the storyboard says they should.
Do it yourself. Describe the film in Sogni Chat and choose the featured storyboard workflow: GPT Image 2.5 draws the sheets, you approve them, and Seedance 2.5 renders the clip at up to 1080p. The GPT Image 2.5 page covers the sheet side; the verbatim video prompt is on the right.
The film above is the shipped cut: a “Psych.” title card and the exact Sogni end card were composited in post over the Seedance render. Everything else, including all speech, effects and music, is straight from the model.
The Seedance 2.5 prompt, verbatim
Create one finished 30-second 16:9 cinematic Sogni commercial with native synchronized speech, sound effects and music. @Image1 is sheet 1 of 3 (shots 01–12), @Image2 is sheet 2 of 3 (shots 13–24), @Image3 is sheet 3 of 3 (shots 25–36); together the sheets are one ordered 36-shot production storyboard, each read left to right then top to bottom, defining the shot order, composition, camera move, colour and medium of every shot. @Image4 is the PHOTOREAL IDENTITY PLATE of the one and only lead character: a real live-action pink-furred sloth with a striped unicorn horn, black rectangular glasses, amber eyes, pale blue muzzle and warm face markings. Every shot, in every medium, shows this exact character with this face; he is never replaced by a human, another animal or a generic character, and when a medium changes his silhouette, glasses, horn and face markings persist. @Image5 is the authoritative original Sogni logo for the final end card. The storyboards give compositions and sequence, not literal starting frames: every shot fills the screen with cinematic motion. Never display a storyboard grid, frame borders, shot numbers, timecodes, caption bands, subtitles, signs or production notes; no readable lettering anywhere except the end card; never pan across a sheet. No unrelated brand or partnership logos.
The narrative is an affectionate, mischievous joke about escaping corporate drudgery to make wild art, told as a relentless flowing commercial. Shots 1 to 8 are a brisk deadpan office set-up (about seven seconds) with the camera always moving. Shots 9 to 32 are a montage in which the same sloth is re-imagined in a new medium or genre about every three-quarters of a second, moving through waves of awe, calm, cheeky glamour, comedy and slick polish; shots 33 to 36 return to live action and resolve on the brand. Photographic realism throughout: real fur with individual strands, real glass, wet catchlights, believable hands and weight, and each named medium rendered as a physically real material (ridged oil paint, clay with fingerprints, leaded glass, paper grain) rather than a flat filter. The picture never hard cuts inside the montage: every shot hands off to the next through the motivated transition named for it (a wipe by an object crossing the lens, a push through a reflection or a pane, a whip pan, a bloom or flare that whites out and resolves, a morph in which one element becomes the next scene's element) while the camera keeps moving and the sloth keeps moving inside the frame. The music is a 120 bpm track and from 00:07 onward each transition lands on a beat.
The sloth is one consistent speaker with a warm, slightly raspy adult male voice: a brisk, upbeat, fast-talking advertising read with no dead air, dry corporate sincerity in the office and delighted confidence after the punchline, reacting to his own creations with short exclamations. All spoken words below are exact and are the only words spoken; pronounce the brand name exactly "SOG-nee". Clear speech in the foreground; duck the music under every line; synchronized mouth movement whenever his mouth is visible, narration otherwise. Do not add, repeat, paraphrase or truncate dialogue. Dialogue timing and delivery: 00:00–00:04.3 "Ever since I was young, I've always wanted to convert unstructured data into actionable insight." (brisk, upbeat, corporate-sincere, no pauses); 00:04.8–00:05.3 "Psych." (dry, then a grin); 00:06.2–00:07.3 "I've wanted to make wild art." (delighted, fast); 00:07.5–00:08.0 "Oooh." (awed); 00:11.5–00:12.0 "Ahhh." (soothed); 00:15.3–00:15.8 "Hel-lo." (cheeky, flirty); 00:19.0–00:19.4 "Ha!" (a bark of a laugh); 00:22.8–00:23.3 "Slick." (cool, admiring); 00:24.3–00:25.2 "Anything. Everything." (rapid, building); 00:25.6–00:27.0 "And it's finally here." (warm, inviting); 00:28.0–00:29.6 "Sog-nee. Create anything." (confident brand read; pronounce the brand exactly SOG-nee).
00:00–00:01.2 THE DREAM JOB: Fast dolly rushing down the cubicle aisle toward the sloth at his beige CRT, paper towers blurring past; the move never stops. Fluorescent hum, dull corporate piano.
00:01.2–00:02.2 THE DESK: Whip pan lands on the desk: the receipt spools into the foreground, he types with two fingers and glances into the lens.
00:02.2–00:03.0 THE STAMP: The camera rides the stamp down onto the report stack; the cup jumps on impact. Stamp thud.
00:03.0–00:04.0 THE SPREADSHEET: Push in until one lens fills the frame, spreadsheet cells scrolling across the reflection over his amber eye. Monitor whine.
00:04.0–00:04.8 THE SILENCE: Pull back to the dead-on medium shot, stamp frozen mid-air, deadpan to camera. The printer coughs once and the music stops dead.
00:04.8–00:05.6 PSYCH: Snap punch-in: glasses lowered, eyebrow up, grin, a hot-pink spark on the horn, a vinyl stop and a breath of silence.
00:05.6–00:06.2 THE CRACK: The spark cracks the whole office like glass: tubes flicker, walls split into cyan and magenta light, every sheet of paper lifts at once as he rises. Rising rumble.
00:06.2–00:07.0 THE RIP: Beat drop: he springs up and sweeps the stylus, walls tear into liquid paint, paperwork folds into origami birds, the tie becomes a paint ribbon over a charcoal apron, and the ribbon sweeps across the lens as a wipe. Bass hit, paint splash.
00:07.0–00:07.75 OIL WAVE (thick impasto oil paint, photographed): The wipe reveals a low tracking shot of him carving a giant paintbrush across an impasto oil wave; the crest curls over the lens.
00:07.75–00:08.5 COSMIC: The curl becomes a spiral galaxy; he drops onto a floating rock and conducts the stars under a ringed planet, aurora streaming.
00:08.5–00:09.25 KAIJU: The planet becomes the sunset behind a 300-foot sloth striding between skyscrapers, helicopters circling, painting the sky; the camera rises and dives into the reflection in his glasses.
00:09.25–00:10.0 DEEP SEA: Inside the reflection a glowing bathysphere descends with him at the porthole among giant jellyfish; a whale glides across the lens as a wipe.
00:10.0–00:10.75 LANTERN DRAGON: The whale's flank becomes a paper-lantern dragon he rides through fireworks over a night harbour, camera chasing; a bloom whites out the frame.
00:10.75–00:11.5 MARBLE (carved white marble, photographed): The bloom resolves as a museum skylight over his marble statue; cracks spread, pink light spills out as he stirs, and the cracks race to the lens and shatter.
00:11.5–00:12.25 INK WASH (sumi-e ink on rice paper): The shards land as ink drops on rice paper; strokes form him walking a misty mountain path; the ink blooms across the frame.
00:12.25–00:13.0 STAINED GLASS (leaded stained glass, photographed): The bloom becomes sunlight through a stained-glass window of him; the camera dollies in through the beams and pushes through a pane.
00:13.0–00:13.75 BLOSSOM LAKE: Through the pane: slow-motion petals over a mirror lake at dawn, him meditating on a dock as the camera orbits; a petal lands and the ripple wipes the frame.
00:13.75–00:14.5 WATERCOLOR (wet watercolor on paper): The ripple bleeds into wet watercolor: he strides through a lavender field as the pigments run; the paper tears from a corner.
00:14.5–00:15.25 WOODBLOCK (edo-period ukiyo-e woodblock print): Behind the tear, an ukiyo-e print: he surfs the crest of a great wave; the foam curls over the lens.
00:15.25–00:16.0 PERFUME AD (black-and-white fashion film): The foam becomes his wind-blown fur in a black-and-white perfume ad; he is the model, slow motion, eyebrow raised at the lens; a flare whites out the frame.
00:16.0–00:16.75 BEACH AD PARODY (1950s painted beach poster): From white, a 1950s painted beach poster: the sloth glances back in surprise as a small black puppy tugs his blue swim trunks down to show a paler fur tan line; the puppy bounds toward the lens.
00:16.75–00:17.5 BEACH RUN: The leap becomes slow-motion surf: he jogs out of the waves in red trunks with a rescue float, smirking; spray hits the lens.
00:17.5–00:18.25 ROMANCE COVER (painted paperback romance cover): The spray becomes painted foam on a romance-novel cover: windswept hero on a sea cliff, shirt torn open, mane streaming; the wind whips it into rain.
00:18.25–00:19.0 NOIR (film noir): The rain streaks a noir window; blind shadows sweep across him in a fedora sipping espresso, red neon, a sultry look; the blinds close across the frame.
00:19.0–00:19.75 CLAYMATION (stop-motion plasticine, photographed): The blinds open on a tabletop where a clay version of him sculpts a city that pops up building by building, camera craning up; a tower rises into the lens.
00:19.75–00:20.5 PUPPET COOKING SHOW (felt hand puppet): The tower becomes a wobbling cake on a chaotic cooking show; the felt-puppet sloth flails as flour explodes toward the lens.
00:20.5–00:21.25 FRESCO (renaissance ceiling fresco): The flour settles as plaster dust on a ceiling fresco: he reaches a fingertip toward a robot's fingertip, cherubs peeking, camera tilting up; the fingertips touch and spark.
00:21.25–00:22.0 TELENOVELA: The spark becomes lightning behind velvet curtains: crash-zoom on him gasping with a hand to his chest, a shocked butler behind.
00:22.0–00:22.75 K-POP STAGE: The lightning becomes stage strobes: a sharp dance move with four backup-dancer sloths on a neon stage; confetti cannons fire at the lens.
00:22.75–00:23.5 PRODUCT MACRO: The confetti settles into a matte-black product studio: macro of the stylus rotating, a light sweep travelling its edge, his eye in the reflection; the sweep wipes the frame.
00:23.5–00:24.25 PAINT DUNK: The sweep becomes arena lights: slow-motion dunk of a liquid-paint basketball, camera under the rim, droplets frozen; the splash hits the lens.
00:24.25–00:25.0 CONCEPT CAR: The streaks become a tunnel of light: he drives a sleek concept car as the camera pulls ahead; the car drives into the lens flare.
00:25.0–00:27.3 THE STUDIO: The flare clears on a continuous pullback in a warm artist studio as he steps toward the lens with the stylus, his creations from every medium arranged around him. The music resolves.
00:27.3–00:28.0 THE FLICK: Close: he flicks the stylus at the lens with a grin and a splash of coral, cyan and violet pigment bursts toward the camera.
00:28.0–00:28.6 THE SPLASH SETTLES: The splash fills the frame and settles, slowing and darkening toward near-black with a soft cyan and pink glow.
00:28.6–00:30 SOGNI: The glow resolves into a near-black end card with the exact Sogni logo, one line "Create anything." and a small footer "GPT Image 2.5 + Seedance 2.5 • sogni.ai", held steady to the end.
Music: a dull corporate piano under the office that stops dead at 00:04.0, a vinyl stop on "Psych.", a rumble on the crack, then an energetic 120 bpm beat drop at 00:06.2 that lands a hit on every transition through the montage, resolving into a warm brand chord over the studio and end card. Finish the last spoken word by 00:29.6 and leave a short clean sonic resolve. No fade to an empty screen before the end. The end card carries only the logo, the single line and the small footer named above.
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